Is mankind slowly transitioning into an element of technology? Or is technology taking the place of humankind?
These were the thoughts that plagued me after reading Daniel Suarez’s Daemon (2006). It begins as less of a tech novel and more of a crime-thriller though as it progressed, the reader is exposed to the increasingly concerning power technology can hold, beyond death. In many ways, technology is presented in this novel as a form of eternal life for mankind; we are introduced to the idea that a system can make one immortal, with it’s creator working beyond the grave.
The ‘daemon’ is a system created by a dying Sobol; the interesting conflict presented in this text is the dichotomy between the power of the system in relation to the intelligence of it’s creator. The system did not reflect the genius mind of Sobol as it relied primarily on his knowledge in order to succeed. For example, the ‘daemon’ could not evolve, making it less reliable. As readers, we can interpret Sobol’s creation as an attempt at reincarnation although the motives for this are somewhat unclear; was this a radical attempt to transform society and enforce a digital one?
Nevertheless, the idea of Artificial Intelligence and Artificial Life is not entirely new to us, as mentioned in my previous post; Suarez hasn’t managed to shock his readers by creating a new concept of the devolution of mankind and the evolution of machines and technology systems. Ultimately, the age of technology is undermining human intelligence and work forces but not to the extent underlined in the book, with human life at risk. Therefore, the novel isn’t futuristic in the sense that it is foreboding the rise of technology as the superior species. It does, however, warn the reader of the dangerous effects of exploiting this rise in technological power; the genius of Sobol is shadowed in the daemon through it’s ability to evade being caught and sent to jail. The novel serves as a chilling reminder of the power, and danger, of technology which originates from the creator and the creator’s intentions.